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igong@list.jinbo.net ¾ÆÀ̰ø¼Ò½Ä
 
 
 

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TITLE(K) ÈçÀûÀ» ³²±â´Ù
TITLE(E)
DIRECTOR À¯Áö¼÷
ADDITION 2005/7'13
CATEGORY ÀÛ°¡±âȹÀü »ó¿µ 2009
LINK
SYNOPSIS

"įº¸µð¾ÆÀÇ ¾ÓÄÚ¸£¿Ó ±× ¾ÈÀÇ Å¸ÇÁ·Ò »ç¿ø…
±× ¾ÈÀÇ ½Ã°£ÀÇ È帧¿¡ µû¸¥ º¯È­¸¦ ±×·Áº¸°í ½Í¾ú´Ù.
À̸¥ ¾ÆÄ§ ÀÚ¿¬ÀÇ ÈçÀû
û¼ÒÇÏ´Â »ç¶÷µé
±×¸®°í ¸î ½Ê ³â°£ ¹«º¸¼ö·Î û¼ÒÇÏ´Â ÇҾƹöÁö…
±×¸®°í ÀÚ½ÅÀ» ³²±â±â À§ÇÏ¿© »çÁøÀ» Âï´Â »ç¶÷µé…
¿À¹ö·¦À» ÀÌ¿ëÇØ ÀÌ·± ¸ð½ÀÀ» ±×·Áº¸¾Ò´Ù."

 

¾ÓÄÚ¸£¿ÍÆ®ÀÇ ÆòÈ­·Î¿î Á¤°æÀ» ÇÑ ÆøÀÇ »çÁøÃ³·³ ´ã¾Æ³½ ¼öäȭ °°Àº ÀÛǰ. ÀÌÁß³ëÃâµÇ´Â À̹ÌÁöµéÀÌ ½Ã°£ÀÇ ÃßÀÌ¿Í ÈçÀûÀ» ´õµë´Â´Ù. (À̰­¿Á)
"Angkor Wat in Cambodia, temple ‘Taprom’ is there…
I want to describe the change with the flow of time.
A trace of nature in the early morning, cleaning people, and an old man who has worked for several decades without pay…
And people who photograph themselves to leave their traces behind…
I picture that scene with a dissolve."

 

A film like a watercolor painting as if we take pictures of peaceful Angkor Wat. The images of double exposure feel after the traces of time.

INFOMATION
¾²±â ¸ñ·Ï   ´ä±Û
NO TITLE(K) TITLE(E) DIRECTOR ADDITION
254
¹Ì¶óÀÇ ²Þ
The Mummy¡¯s Dream
ÀÌÅä Ÿī½Ã 5' | 16mm | b&w | silent | 1989
253
ÀÜÀÎÇÑ
Grim
ÀÌÅä Ÿī½Ã 7' | 16mm | color | 1985
252
°í½ºÆ®
Ghost
ÀÌÅä Ÿī½Ã 6' | 16mm | color | 1984
251
õµÕ
Thunder
ÀÌÅä Ÿī½Ã 5' | 16mm | color | 1982
250
¸ð³ëÅ©·Ò Çìµå
MONOCHROME HEAD
ÀÌÅä Ÿī½Ã 10' | 16mm | color | 1997
249
ºñ³Ê½º
Venus
ÀÌÅä Ÿī½Ã 4' | 16mm | b&w | silent | 1990
248
º®
Wall
ÀÌÅä Ÿī½Ã 7' | 16mm | color | 1987
247
µå¸±
Drill
ÀÌÅä Ÿī½Ã 5' | 16mm | b&w | silent | 1983
246
³ª»ç
Screw
ÀÌÅä Ÿī½Ã 3' | 16mm | color | silent | 1982
245
»óÀÚ
Box
ÀÌÅä Ÿī½Ã 8' | 16mm | tinted stock | 1982
1 2 3 4 5 6 7 8 9 10 ¢º

 

 

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  ´ë¾È¿µ»ó¹®È­¹ßÀü¼Ò ¾ÆÀ̰ø ȨÆäÀÌÁö´Â Á¤º¸¸¦ ³ª´¯´Ï´Ù.

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