ioioio ´ë¾È¿µ»ó¹®È­¹ßÀü¼Ò ¾ÆÀÌ°ø iÍö(Íì)ioio
ioioio ´ë¾È¿µ»ó¹®È­¹ßÀü¼Ò ¾ÆÀÌ°ø iÍö(Íì)ioio

 

 

 

  
¹Ìµð¾î±ØÀå ¾ÆÀÌ°ø
  i-Íö(Íì), Media Theater

 
  »ç)´ë¾È¿µ»ó¹®È­¹ßÀü¼Ò ¾ÆÀÌ°ø  iGong  
  ¼Ò°³ & ¿¬Çõ  

  ¹Ìµð¾î±ØÀå ¾ÆÀÌ°ø  Media Theater i-Gong

 
  Àü½Ã/»ó¿µ ÇÁ·Î±×·¥  

  ±³À°Çмú ÇÁ·Î±×·¥

 
  ´ë°ü½ÅûÇÏ±â  

  È¸¿ø Membership

 
  ¾ÆÀÌ°ø °ü°´È¸¿ø  
  ¾ÆÀÌ°ø ÈÄ¿øȸ¿ø  
  ¾ÆÀÌ°ø  i-Gong INFO  
  °øÁö»çÇ×  

  ¿À½Ã´Â ±æ

 

  ÀÚÀ¯°Ô½ÃÆÇ

 

  ¼­¿ï±¹Á¦´º¹Ìµð¾îÆ佺Ƽ¹ú
  Seoul International NewMedia Festival

  Æä¹Ì´ÏÁòºñµð¿À¾×Ƽºñ½ºÆ®ºñ¿£³¯·¹2010
  Feminism Video Acitivism Biennale2010

  ´ë¾È¿¹¼ú¾ÆÄ«µ¥¹Ì+½ºÆäÀ̽º ¾ÆÀÌ

 

  À¥Áø´ë¾È¿µ»ó

 
¸ÞÀϸµ ¸®½ºÆ® °¡ÀÔÇϱâ
igong@list.jinbo.net ¾ÆÀÌ°ø¼Ò½Ä
 
 
 

y

 

 

  
TITLE(K) Ä£¾ÖÇÏ´Â ³ªÀÇ µÎ ¹ø°¾¾
TITLE(E) Dear my second
DIRECTOR ±èÇöÁÖ
ADDITION Çѱ¹ | 2009 | 3'42" | Digi-beta | color
CATEGORY ÀÛ°¡±âȹÀü »ó¿µ 2009
LINK
SYNOPSIS

³×¸¶ÇÁ2009 »çÀü Ưº°±âȹ<³×¸¶ÇÁ! ¾Æ½Ã¾Æ ½ÇÅ©·Îµå Ưº°Àü>

¼½¼Ç4: Day of Korea 65min Çѱ¹ÀÇ ³¯ <Çѱ¹ÀÇ ´ë¾È¿µ»ó>

 

´Ù¼¸ °³ÀÇ Å« ¹Ú½º°¡ ÇÑ ¿©¼ºÀÇ ¹ß¸ñ¿¡ ´Þ·ÁÀÖ´Ù. ±×³à´Â ±× ¹Ú½º¸¦ ´Þ°í ´ë¹®°ú Áý ¾ÈÀ¸·Î µé¾î¼±´Ù. °Å½Ç, ºÎ¾ýÀ» Áö³ª ¾È¹æ¿¡ µé¾î¼­´Ï ³°Àº ¹«°Å¿î ÀÚ°³³óÀÌ º¸ÀδÙ. ÀÌ ÀÛ¾÷Àº ¿©¼ºÀÌ ÇÑ »çȸÀÎ, ¾Æ³», ¸ç´À¸®¸¦ °¨´çÇؾßÇÏ´Â ¿À´Ã³¯ÀÇ ½´ÆÛ¿ì¸ÕÀÌ µÈ ¿©¼ºÀ» ÇÔÃàÀûÀ¸·Î º¸¿©ÁØ´Ù. °¡ºÎÀåÁ¦ ½Ã´ë¿Í ¼¼´ë¸¦ »ó¡ÇÏ´Â °ËÀº ÀÚ°³³óÀ» µé¾î¿Ã¸®¸ç, ±× ¹«°Å¿òÀ» ½ÂÈ­ÇÑ ÀÛ°¡´Â »îÀÇ ¸ðµç ºÎºÐÀ» ÇØÇаú dzÀÚ¿Í Ã¶ÇÐÀ¸·Î °íÂûÇÏ´Â ÁöÇý¸¦ ³²°ÜÁØ´Ù.

 

Five boxes are tied around a woman's ankle.  She enter the gate and the house with the boxed tied.  She enters the dinning room and kitchen and stand in front of the furniture. This work implicatively shows the woman who became a super woman working as a career woman, wife and daughter-in-law.  Raising the furniture which means patriarchical era and generation, she express it with satire and humors.

INFOMATION
¾²±â ¸ñ·Ï   ´ä±Û
NO TITLE(K) TITLE(E) DIRECTOR ADDITION
74
»¡°£ Å×ÀÙ
Red Tape - Collected Works
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1975 | 30' | Digi-Beta | color
73
õ»çÀÇ ¹®
Angels gate
ºô ºñ¿Ã¶ó ¹Ì±¹ |1989 | 4'50'' | Digi-Beta | Color
72
ºû°ú ¿­ÀÇ ÃÊ»ó
Chott el-Djerid (A Portrait in Light and Heat)
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1979 | 28' | Digi-beta | color
71
ÀÌÁÖ
Migration
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1976 | 7' | Digi-beta | color
70
¼º°¡
Anthem
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1983 | 11'30'' | Digi-beta | color
69
ù ¹ø° µå¸²
Hatsu Yume (First Dream)
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1981 | 56' | Digi-beta | color
68
´õ ÆнÌ
The Passing
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1991 | 54'13'' | Digi-beta
67
³ªµµ ³ª¸¦ ¸ô¶ó¿ä
I Do Not Know What It Is I Am Like
ºô ºñ¿Ã¶ó ¹Ì±¹ | 1986 | 89' | Digi-beta | color
66
ħ¹¬Ç϶ó
silence
ÀÌÀ±Á¤ performance documentation/dance/media
65
Endless
Endless
ÀÌÀ±Á¤ Çѱ¹ | 3' | miniDV | color |drama
¢¸ 11 12 13 14 15 16 17 18 19 20 ¢º

 

 

  Ȩ  |  ¾Ë¸²-»õ¼Ò½Ä    |  À̸ÞÀÏÁÖ¼Ò ¹«´Ü¼öÁý °ÅºÎ  |  »çÀÌÆ®¸Ê  

 

 

 

  ´ë¾È¿µ»ó¹®È­¹ßÀü¼Ò ¾ÆÀÌ°ø ȨÆäÀÌÁö´Â Á¤º¸¸¦ ³ª´¯´Ï´Ù.

NO COPYRIGHT! JUST COPYLEFT!